Did They Get it Right? – Best Picture – Oscars 1932


dtgirbp-1932Here are the eight nominees: (Winner in Bold)

Arrowsmith
Bad Girl
The Champ
Five Star Final
Grand Hotel
One Hour With You
Shanghai Express
The Smiling Lieutenant

Biggest Snub:

Dr. Jekyl and Mr. Hyde

My Overall Thoughts:

Grand Hotel remains the only Oscar Best Picture winner to have not been nominated for any other awards and that seems to make sense since the film itself isn’t as prolific as one would think of a BP winner.

My Rankings:

Movies

(As of now, I have seen each and every Oscar nominated film from 1946 thru the present.  Starting with 1945’s nominees, there are movies that I have yet to see, so I will only rank the films that I’ve seen so far and will update as I see the missing films.)

Updated 3 Jan ’18 – Watched Arrowsmith, Five Star Final, One Hour With You and The Smiling Lieutenant

  • 8.- Bad Girl

 

  • 7. – The Smiling Lieutenant – Still not the biggest fan of Chevalier, who for some reason gets on my nerves. This screwball comedy has its moments and I need to keep reminding myself that just because a film is in black and white, that doesn’t mean that the story and the characters are completely pure in their motivations. The comedy of errors here works some of the time, but overall this is just an average film and not one I would think deserves to be listed among the best of the year.
  • 6 –  One Hour With You -A bit shocked that this film was able to get a nomination for Best Picture. I found the way it played out to be quite silly and didn’t care about any of the characters at all. The dialogue is fun to listen to since so much of it is word play, but overall this just didn’t work as a screwball comedy in my eyes.
  • 5. – Grand Hotel – Pretty boring ensemble pic, but was definitely the beginning of the genre of ensemble films.
  • 4. – Five Star Final – Interesting idea that deals with journalistic integrity and asks the question as to whether every lead should be followed through by reporters no matter the ultimate cost. Robinson is ok in this role since he actually plays a nice guy since he was mostly famed for his roles playing the opposite kind of person. The story seems to work, but it really isn’t the kind of film that I would think should be included among the best pictures of any given year because it feels quite average on most standards.
  • 3. – The Champ – Great story about issues that weren’t really discussed at the time. The connection between the Champ and Dink works really well and it’s easy to believe that they are really father and son. Beery deservingly won an Oscar for best actor for this role because we really can feel the pain and difficulties that he constantly faces and tries to overcome.
  • 2.   Arrowsmith – Excellent film because it deals with such great issues that still plague researchers today after nearly 90 years. Colman and Hayes are great together and we get a clear sense of what drives their relationship. The dilemmas that these characters face are explored in a very interesting way in order to make us understand everything that was being done at the time to further the fight against diseases. The last third of the story goes off on a slight tangent which isn’t truly necessary but perhaps is expanded in the book that this is based on.
  • 1. – Shanghai Express – Thrilling mystery set in an exotic location which keeps things interesting the whole way through.  The mix of characters works really well and they do a great job of slowly giving us pertinent information as things move along.  Great cast led by Dietrich.

Do I agree with the Oscar winner? – Not really!  GH is an interesting precursor for the ensemble genre, but just doesn’t resonate today as much as it probably did back then.  SE is a fun thriller filled with intrigue and romance, so it’s much more interesting to watch.

Let me know what you think about these films and my rankings!

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One thought on “Did They Get it Right? – Best Picture – Oscars 1932

  1. Grand Hotel is great…as an unintentional comedy. It’s truly bizarre, but if you accept Garbo’s ludicrous performance, Lewis Stone as a robot (sort of like Ash in Alien), and clangers like “Flix!” and “Louisiana Flip!” as jokes, it becomes a laugh riot. It really is an enjoyable picture, though not for the reasons that the makers probably intended.

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