Genre Grandeur – La La Land (2016) – Keith Loves Movies


For this month’s first review for Genre Grandeur – Movie Musicals, here’s a review of La La Land (2016) by Keith of Keith Loves Movies

Thanks again to Audrey of 1001 Movies and Beyond for choosing this month’s genre.

Next month’s Genre has been chosen by Ghezal of Ghezal Plus Movies and she has chosen the genre of Film Noir Movies.

Please get me your submissions by the 25th of July by sending them to NoirGhezal@movierob.net

Try to think out of the box! Great choice Ghezal!

Let’s see what Keith thought of this movie:

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La La Land

I’m not the biggest fan of musicals but I’m glad I did (to me, great stories and acting are more important than genres). It is one of the most buzz-worthy films this year and after seeing it, the buzz is justified. Take Damien Chazelle, the director from one of my favorite films of 2014 in Whiplash, and add Ryan Gosling and Emma Stone and the film has a very strong chance of success.

Mia and Sebastian are two aspiring artists trying to achieve their dreams. Mia wants to be a successful actress and Sebastian, a jazz pianist, wants to continue the legacy of jazz and open his own club. They first meet under the most special circumstances and all their subsequent meetings implied that maybe they were both destined to be with one another. Of course, they didn’t start off that way but them getting together was inevitable.

Early on, the film feels like a love letter to Los Angeles and classic Hollywood films and musicals. The film’s overall style, including the set design, costumes, and cinematography as well as the fantastic score were all reminiscent of the golden age of film. This was a remarkable feat considering that the film takes place in the present. The musical numbers were well done and full of good energy. Unlike most musicals where people randomly sing in some contrived way, the musical numbers here weaved organically within the story and were not out of place (the first one seemed out of context but it did set the tone nicely).

The musical numbers were visual spectacles, heightened by the film’s style and cinematography. They were spectacles but they never came off as overdone. They were all expertly shot, featuring boatloads of color and entertaining choreography. The film was much more than just musical numbers; however, they were fun to watch (and listen to) but they were secondary to telling Sebastian and Mia’s story.

Sebastian and Mia’s story was compelling to watch as they were both real, genuine people and it was easy to relate to their own personal struggles. Sebastian is a jazz traditionalist, wanting to keep it alive. Despite the constant pleas from his sister Laura (Rosemarie DeWitt) to find a real job, Sebastian is set on taking his own path. Mia is a struggling actress, going from audition to audition, resulting in a lack of confidence. Over time, the two become closer as they help each other with their struggles.

Sebastian and Mia’s relationship was genuine and they were fun to watch together as their relationship grew. This was a beautiful film and served as the perfect backdrop for Sebastian and Mia with a sequence at a conservatory being the standout. Like most relationships, they had their ups and downs. Sebastian and Mia were ambitious people and sometimes their own ambitions got in the way. Because of this, they were eventually forced to choose between their relationship and their dreams. They ultimately loved each other but also wanted what was best for each other, ending in an extraordinary musical sequence.

What more can be said about Ryan Gosling and Emma Stone? The already had great chemistry with one another and they simply brought it over to this film. The film would not have worked as well if it were any two other actors since their chemistry carried the film and elevated the already excellent script. It was grounded and hit all the right notes. It was funny at times, romantic, and sentimental but not overly sentimental. Gosling and Stone are talented actors. Gosling can sing, dance, and play the piano while Stone can sing (especially in “Audition”, a song that should have also been nominated). But first and foremost, they can act. Gosling exudes charm and looks comfortable as Sebastian. Stone is even better as Mia, exuding charm of her own while bringing out the depth and the emotion of her character, beaten down by failed auditions but maintaining her ambition.

Overall, musical or not, this was an experience like no other. This was a love letter to the golden age of cinema, featuring memorable music and visuals, and carried by the amazing performances of Gosling and Stone.

Score: 10/10

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2 thoughts on “Genre Grandeur – La La Land (2016) – Keith Loves Movies

  1. Pingback: Genre Grandeur June Finale – Guys and Dolls (1955) – 1001 Movies and Beyond |

  2. Agree with you on “Audition”. I think it was my favorite song in the movie. Agree with you on the acting chops of the leads. Disagree on a 10/10. I lived and worked in the business in LA for 20 years. I had a few major problems with some of the scenes and how things played out for Mia. The opening sequence – which was high energy – was also kept in the film because Chazzelle wanted to make sure right up front that the audience knew this was a musical – even though he toyed with cutting it a number of times. I’ve been in many an LA traffic jam on the freeway – and it would have been more realistic for gunfire to break out and fits of road rage. Also, it is a sprawling city – unlike any other – and the idea that these 2 would cross paths as often as they did was a bit nuts. For the first half – I actually looked at my watch – contemplated leaving – and wondered what all the buzz was about. It didn’t start working for me until she goes to the nightclub where he’s on piano and John Legend is fronting the band. That was one of the first songs I liked. It was very good from there – but the ludicrous coincidence of the ending coupled with the fake tacked on what if ending just didn’t work for me at all.

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