For this month’s final review for Genre Grandeur – Documentary Films, here’s a review of Frank Capra’s Why We Fight (1942-1945) by Quiggy of The Midnite Drive-In.
In case you missed any of the other reviews, here’s a recap:
- Three Identical Strangers (2018) – Michael
- Three Identical Strangers (2018) – Keith
- I Am Paul Walker (2018) – Darren
- Charged: The Eduardo Garcia Story (2017) – Simon
- In the Shadow of the Moon (2007) – Rob
- RBG (2018) – Michael
- Look, Up in the Sky! The Amazing Story of Superman (2006) – Rob
- John Ford: Dreaming the Quiet Man (2010) – Emily
- Edith + Eddie (2017) – Michael
- American Masters: This is Bob Hope (2017) – Samantha
- Dear Zachary: A letter to a Son About His Father (2008) – Rob
- Touching the Void (2003) – Emma
- Frank Capra’s Why We Fight (1942-1945) – Quiggy
In addition, I watched and reviewed 17 movies for my companion series Genre Guesstimation. Happily, 7 of them will now be considered among my favorites of the genre.
- RBG (2018)
- I am Paul Walker (2018)
- Super Size Me (2004)
- Minding the Gap (2018)
- *The Vietnam War (2017)
- The Atomic Cafe (1982)
- Jewish Soldiers in Blue & Gray (2011)
- Seven Up! (1964)
- 7 Plus Seven (1970)
- 21 Up (1977)
- *28 Up (1984)
- *35 Up (1991)
- *42 Up (1998)
- *49 Up (2005)
- *56 Up (2012)
- Fahrenheit 11/9 (2018)
- *Three Identical Strangers (2018)
Thanks again to Quiggy of The Midnite Drive-In for choosing this month’s genre.
Next month’s Genre has been chosen by Samantha Ellis of Musing of a Classic Film Addict and it is Romantic Films
“This could include any movie with a romantic pairing as the central focus of the plot, be it a comedy, drama, horror, or what have you.”
Please get me your submissions by the 25th of Jan by sending them to firstname.lastname@example.org
Try to think out of the box! Great choice Samantha!
Let’s see what Quiggy thought of this movie:
On Dec 7, 1941 the United States was catapulted into the escalating war with the Axis Powers of Germany, Italy and Japan. The event that changed what had been previously viewed by Americans as a European War and not worthy of changing the national non-interventionist status was the bombing of Pearl Harbor by the Japanese. Prior to that the Franklin Delano Roosevelt presidency had done everything in it’s power short of actually declaring war to help the Allied Powers in their ongoing struggle, including the Lend-Lease program, which basically gave aid without actually deploying soldiers to help. Pearl Harbor changed all that. The U.S. declared war in retaliation and the war was on for the US, both on European and Asian soil as well as on the home front.
Frank Capra joined the fight 4 days later, becoming a major in the United States Army. At age 44, he was a little too old to be fighting, but he became a prolific help in the battle on the home front. His major role in said effort was to film a seven part series of films, a sort of counter-effort to the propaganda films that Nazi Germany and the Japanese were creating for their own efforts. Primarily Capra wanted to counteract the Nazi/Leni Riefenstahl propaganda film Triumph of the Will. The Why We Fight films were initially made to educate members of the Armed Forces for the need to fight the “good fight”.
But the films were so well made and viewed by the brass as so important that they were released into theaters. And not just in the US. Winston Churchill, England’s Prime minister, thought they were essentially enough that he decreed they be shown in theaters in the UK. And the first in the series Prelude to War was honored with an Academy Award for Best Documentary (which it shared with three other films, but still…)
Prelude to War: was the first in the series. It delved into the rise of the three “slave” worlds of Germany, Italy and Japan and made an effort to compare them to the free world (primarily the US, but also those nations that were fellow fighters in the struggle.) A quote, which was added before it’s release to the public, by Henry L. Stimson, Secretary of War at the time, sums it up pretty well:
“The purpose of these films is to give factual information as to the causes, the events leading up to our entry into the war and the principles for which we are fighting.”
Ultimately the first film focuses mainly on Italian and Japanese aggression, reserving the bulk of Nazi Germany’s role in the war for the next film.
The Nazis Strike: The second film in the series and delves into the duplicitous nature of Adolph Hitler, as well as his and Nazi Germany’s use of fifth columnists (Traitors inside the countries he sought to conquer. It reveals the many treaties of non-aggression that Hitler signed with various nations only to tear up those treaties and invade anyway when the time was ripe. There are some inaccuracies within the film, primarily concerning the Soviet and German relations within Poland. This was primarily because, at the time, the Soviets were allies in the struggle and it was probably a good idea not to make an enemy of a “friend”, but to some historians it does have some inconsistencies.
Divide and Conquer: Continuing after the fall of Poland from the second film, we are continuing to see that any pact or statement made by Hitler is only just so much bull as he invades other countries with whom he had agreed to leave alone. This hearkens back to the Heartland Theory, covered in the second film, which basically reveals that the ultimate goal of the Nazis was to conquer the entire world. As Hitler continues his drive to be a world dictator, he invades the northern countries of Denmark, Norway, the Netherlands and Belgium. France is next.
The Battle of Britain: After the fall of France, Britain is left almost solely to fight the war herself. An early effort by the Nazis to take out military installations and ports is resisted wholeheartedly, so Hitler tries a different tactic; attacking civilians, bombing the city of London. But this blitzkrieg is also resisted by the determination of the British citizenry. As Churchill says “never[…] has so much been owed by so many to so few”.
The Battle of Russia: represents how hard the Soviet allies have struggled against invasion, not only against the current enemy of Germany, but down through history. Here again the Soviets are cast in a positive light as the good guys because of their association with the Allies, not mentioning certain factors that would have shed a negative light on them if they had been portrayed; such as the Soviet role in the invasion of it’s neighbors prior to the conflict.
The Battle of China: The series moves east and focuses on Japan’s aggressive nature, specifically with it’s attempts to conquer China.
War Comes to America: The final film of the series, and by far in the opinion of your humble reviewer, the best. It gives a brief history of the United States up to the early part of the 30’s, when the aggressive Axis powers started extending greedy fingers into other countries. It then shows how the US gradually changed from a staunch non-interventionist society, in 1936 being an overwhelming majority of staying out of the conflict. But as the tides started to turn in Europe and the East, views, as they will, changed. The short history of how the US approached relationships with both sides of the war changed as much of the public opinion changed from staying out of the conflict, to helping what seemed to be the correct side. The true nature of the propaganda portion of the film concludes with the following revealing statements:
German conquest of Europe and Africa would bring all their raw materials, plus their entire industrial development, under one control. Of the 2 billion people in the world, the Nazis would rule roughly one quarter, the 500 million people of Europe and Africa, forced into slavery to labor for Germany. German conquest of Russia would add the vast raw materials and the production facilities of another of the world’s industrial areas, and of the world’s people, another 200 million would be added to the Nazi labor pile.
Japanese conquest of the Orient would pour into their factory the almost unlimited resources of that area, and of the peoples of the earth, a thousand million would come under their rule, slaves for their industrial machine. Altogether, the German, Italian and Japanese aggressors would undertake a catalystic crisis, one that would enslave most of the world’s population and liquidate about 90% of cultural life on Earth.
We in North and South America would be left with the raw materials of three-tenths of the earth’s surface, against the Axis with the resources of seven-tenths. We would have one industrial region against their three industrial regions. We would have one-eighth of the world’s population against their seven-eighths. If we together, along with the other nations of North and South America, could mobilize 30 million fully equipped men, the Axis could mobilize 200 million.
Thus, an Axis victory in Europe and Asia would leave us alone and virtually surrounded facing enemies ten times stronger than ourselves.
If you are as avid devotee of history as I am, I think you will find this series extremely riveting. Even if you only watch it to gain a perspective of the times, it will certainly open your mind. And you can watch Casablanca, the next time in a whole new light